'Music From the Big House'

Award-winning Canadian blues singer Rita Chiarelli



Last night I attended a screening of Cache Film & Television’s “Music From the Big House” directed by Bruce McDonald, at Muvico Parisian 20 and IMAX at City Place in West Palm Beach.  It’s a documentary about a blues singer, known as "Canada’s Queen of Blues," Rita Chiarelli, who in her journey to find authentic blues music along Route 61, discovered it at the Louisiana State Penitentiary at Angola. Many men there serving life sentences for crimes they committed at a young age, are participating in a music program and finding redemption.

The cinematography by Steve Cosens is very well-done. The film is shown in black and white, which Chiarelli, who spoke with us after the screening, shared was originally filmed in color, then the color removed. In my opinion, this gave the film the appearance of a sharp, crisp black and white photograph.
Chiarelli decided to perform with four of the musical groups formed in the prison touching the genres of country, R&B/Jazz, blues, and gospel. Many of the men were musicians, singers, even a former radio DJ, now only performing within the prison walls due to the violent crimes they committed.  

“In Louisiana state, life means life,” Chiarelli said. “The parole board can reduce the sentence, but that rarely happens.”

For peace of mind, many inmates turn to music and their spirituality. Music making has a long history at the once notorious penitentiary and former slave plantation, going back to the 1920s. Leadbelly was pardoned from there, for example.

The stories of those performing with Chiarelli, most appearing to be in their 40s and 50s, reflect their willingness to change. One inmate serving a 30-year sentence explained the positive change as a “moral maturity.”  He said they learned if you begin to make moral decisions you'll see your life change. Which made me think, would their lives, the lives of victims and the families of their victims be drastically different if someone cared enough to instill morality in them at an early age? Perhaps someone did, but poverty, racism, mental illness, drugs or alcohol were the deterrents. Or, maybe some were simply not good people.

An inmate named Ray, at the time of the filming, had been imprisoned 30 years serving out a life sentence for murder. He attributed drugs and alcohol to his downfall. During his time at Angola, he’s found Christ and a call to ministry. He runs the inmates law library, and is sort of a mentor to the inmates within his reach.



Chiarelli speaks with audience following the film.



“One good choice I made is Christ as my Lord and savior,” Ray said in the film. “Love, peace and joy, money can’t buy it.”

As you watch the documentary, it’s evident the faith Ray and many of the other inmates have found, as well as the ability to perform music, gives them hope each day, necessary to survive. But, the thought then quickly becomes, what about their victims?

You have to think about the victims, too, Chiarelli said. These men did commit crimes, forever changing the lives of the loved ones left behind. Though, she also added, there comes a time for forgiveness and keeping people angry and resentful at those who commit crimes affects all. For her, being a part of the film was a lesson in forgiveness.

After the film, myself and a few others talked with Chiarelli about how the men had potential for good in their youth. One women appearing in her 60s said she is the mother of three sons and expressed we need to care for boys, “…they’re a lot more fragile then we think,” she said.

Today I learn moviegoers in Aurora, Colo. attending a 12:05 a.m. showing of “The Dark Knight Rises” were either a witness or victim of murder at the hands of alleged 24-year-old gunman James Holmes, who I’m sure if convicted will face a life sentence.  Similar to how the men shown in “Music From the Big House” were in their 20s, morality isn’t a part of Holmes’ being. Will it ever be? Only God knows.

I do think “Music From the Big House” is effective in showing what can happen to criminals or anyone who ventures on a lengthy journey to redemption and a life of faith; young men are indeed fragile; and music has the ability to uplift, minister and heal, Chiarelli has a nice voice by the way. Though I believe we should see the humanity in all people, incidences like in Aurora, Colo. reinforce we should never forget about the victims. I’m leaning hard on my faith today, my thoughts and prayers are with the victims and their families in Colorado.

Pondering Posting Practices on Social Media

Your face could be in a photo gracing the page of someone's Facebook timeline right now and you don't even know it.  Depending upon the number of "Likes" or comments on the photo, your face could be a part of a popular item.  You could have social media celebrity status.

Think about it.  You attended an event where taking photos or video was allowed.  The person standing next to you, let's say on your right-hand side, is using their smartphone to take video of the happenings.  You're dancing or singing or clapping, or maybe even yawning if the event is boring.  The person turns to their left, still recording with their phone, and whatever you're doing at that very moment is being documented.  If he or she is a social media buff with an account and lots and lots of followers on YouTube, you will be in a video that becomes popular.

Verizon DJ booth at SunFest
(Yes, I asked if I could take his photo and use.)

Last month I attended SunFest in West Palm Beach, Fla., an annual celebration featuring national recording artists, a juried art show and lots of food.  Verizon had a DJ booth where contestants danced, and the audience favorite won a new smartphone.  My friend, Kyoto, had the guts to compete.  I knew I had to document this for her using my iPhone.  She along with five other contestants danced to a mix of songs and they were eliminated by round. 

Kyoto survived two rounds, and was eliminated. The final two contestants were a male, who looked to be in his late 20s and a young lady about 14 or 15-years-old.  The last song they battled to was "You Can't Touch This" by M.C. Hammer. Yes, old school music is essential in any dance-off. At this point, I was done recording, but turned the video option on my phone back on because the dude's dancing was hilarious. He truly thought he was dancing, while it just looked like he was trying to catch a beat.  He was the audience favorite and won a Verizon smartphone, I think due to sheer effort.

I was tempted to upload the short, 19-second video of the guy “dancing” on social media. But, I'm not his friend.  I don't know him at all.  So I'd be strictly laughing at him, not with him.  And, sharing the video clip would make others laugh at him, too. 

I decided not to share, even though he was in public and knew being recorded was a possibility, and someone else in the audience was most likely recording him at the same time. I think my choice not to post was a combination of what I learned in my ethics class in grad school, and my grandmother’s advice in the back my mind, “Baby, what goes around, comes around.” Maybe one day if someone I don’t know takes a goofy photo of me, they’ll decide not to post it.  Or, at least I’ll hopefully never know the photo exists.

Nowadays, it seems John and Jane Doe watching more than "Big Brother."  Does that mean we should walk around in fear of being someone's latest social media post?  No.  Does that mean you should be aware if you do anything remotely weird, crazy or are simply within range of someone’s smartphone or tablet PC, a photo or video with you in it can be shared with all inhabitants of earth who are plugged-in?  Yes.