I've Got 'Pi' on My Mind

It’s been more than 12 hours, yet I still can’t stop thinking about Pi.
I’m not a mathematician; I’m a moviegoer who’s got the fictional story of a 16-year-old boy, the only human survivor of a sinking freighter traveling from India to Canada, on my mind.

Last night I attended an advance screening of "Life of Pi" at the Regal Royal Palm Beach Stadium 18 in West Palm Beach, Fla. The film is directed by Ang Lee, director of Academy Award-winning films "Crouching Tiger, Hidden Dragon" (2000) and "Brokeback Mountain" (2005), and distributed by 20th Century Fox. Based on and using the same name as the 2001 novel by Yann Martel, the film centers around the journey of Piscine Molitor “Pi” Patel as a 16-year-old, played by Suraj Sharma. As I stated, he is the only human survivor. A hyena, orangutan, a zebra and a Bengal tiger that were a part of his family’s zoo being shipped on the freighter also managed to get into the lifeboat.  However, in a short period of time due to animal instincts, it was just Pi and the tiger, Thirsty a.k.a. Richard Parker, navigating the deep, blue sea for 227 days.

Recently I’ve seen films using 3D technology, which really did not enhance the product at all, only hiked the ticket price. That isn't the case with this film. As soon as “Life of Pi” began, sitting with my 3D glasses on, I was whisked away into a zoo in Pondicherry, India with exotic and beautiful animals -- stunning. We then begin to hear Piscine as an adult (played by Irrfan Khan) living in Montreal, Canada, tell his remarkable story to a writer.

Piscine called “Pi” for short is named after a swimming pool in France by his father who lived life by scientific reason, which is the opposite of Pi’s mother, who raised Hindu, had a strong spiritual foundation. As a teen, Pi begins to explore spirituality outside of his Hindu roots leading him to Christianity and Islam. Because of his profound love of God, he decides to try and incorporate all three religions in his life. 

In my opinion, the story offers that different religions are really not that different as the goal of all is to lead one to enlightenment and a closer relationship with God. For Pi, elements of Hinduism, Christianity and Islam offer him the wisdom and guidance to survive losing his family and more than half a year on a lifeboat with Richard Parker. And it is through dealing with an often tumultuous tiger, he would learn courage and hear echoes of the lessons his father taught him.

The scenes with Pi and Richard Parker on the lifeboat are compelling, and sometimes had me at the edge of my seat.  There are so many scenes that affected me through the visual aspect, the acting or both. From the vicious storm that causes the ship’s demise to jellyfish glowing in the night sea to Pi making a plea with God during a thunderstorm, all unforgettable. I think the directing by Lee, cinematography by Claudio Miranda, Sharma’s acting skills and the apparent talent of everyone involved makes this film an absolute triumph. It’s hard to believe this is Sharma’s debut; he seems like a pro. I highly recommend this film.

“Life of Pi” is rated PG for the emotional content and there are some frightening sequences. It opens in theaters Nov. 21.

View the official trailer:

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'Music From the Big House'

Award-winning Canadian blues singer Rita Chiarelli



Last night I attended a screening of Cache Film & Television’s “Music From the Big House” directed by Bruce McDonald, at Muvico Parisian 20 and IMAX at City Place in West Palm Beach.  It’s a documentary about a blues singer, known as "Canada’s Queen of Blues," Rita Chiarelli, who in her journey to find authentic blues music along Route 61, discovered it at the Louisiana State Penitentiary at Angola. Many men there serving life sentences for crimes they committed at a young age, are participating in a music program and finding redemption.

The cinematography by Steve Cosens is very well-done. The film is shown in black and white, which Chiarelli, who spoke with us after the screening, shared was originally filmed in color, then the color removed. In my opinion, this gave the film the appearance of a sharp, crisp black and white photograph.
Chiarelli decided to perform with four of the musical groups formed in the prison touching the genres of country, R&B/Jazz, blues, and gospel. Many of the men were musicians, singers, even a former radio DJ, now only performing within the prison walls due to the violent crimes they committed.  

“In Louisiana state, life means life,” Chiarelli said. “The parole board can reduce the sentence, but that rarely happens.”

For peace of mind, many inmates turn to music and their spirituality. Music making has a long history at the once notorious penitentiary and former slave plantation, going back to the 1920s. Leadbelly was pardoned from there, for example.

The stories of those performing with Chiarelli, most appearing to be in their 40s and 50s, reflect their willingness to change. One inmate serving a 30-year sentence explained the positive change as a “moral maturity.”  He said they learned if you begin to make moral decisions you'll see your life change. Which made me think, would their lives, the lives of victims and the families of their victims be drastically different if someone cared enough to instill morality in them at an early age? Perhaps someone did, but poverty, racism, mental illness, drugs or alcohol were the deterrents. Or, maybe some were simply not good people.

An inmate named Ray, at the time of the filming, had been imprisoned 30 years serving out a life sentence for murder. He attributed drugs and alcohol to his downfall. During his time at Angola, he’s found Christ and a call to ministry. He runs the inmates law library, and is sort of a mentor to the inmates within his reach.



Chiarelli speaks with audience following the film.



“One good choice I made is Christ as my Lord and savior,” Ray said in the film. “Love, peace and joy, money can’t buy it.”

As you watch the documentary, it’s evident the faith Ray and many of the other inmates have found, as well as the ability to perform music, gives them hope each day, necessary to survive. But, the thought then quickly becomes, what about their victims?

You have to think about the victims, too, Chiarelli said. These men did commit crimes, forever changing the lives of the loved ones left behind. Though, she also added, there comes a time for forgiveness and keeping people angry and resentful at those who commit crimes affects all. For her, being a part of the film was a lesson in forgiveness.

After the film, myself and a few others talked with Chiarelli about how the men had potential for good in their youth. One women appearing in her 60s said she is the mother of three sons and expressed we need to care for boys, “…they’re a lot more fragile then we think,” she said.

Today I learn moviegoers in Aurora, Colo. attending a 12:05 a.m. showing of “The Dark Knight Rises” were either a witness or victim of murder at the hands of alleged 24-year-old gunman James Holmes, who I’m sure if convicted will face a life sentence.  Similar to how the men shown in “Music From the Big House” were in their 20s, morality isn’t a part of Holmes’ being. Will it ever be? Only God knows.

I do think “Music From the Big House” is effective in showing what can happen to criminals or anyone who ventures on a lengthy journey to redemption and a life of faith; young men are indeed fragile; and music has the ability to uplift, minister and heal, Chiarelli has a nice voice by the way. Though I believe we should see the humanity in all people, incidences like in Aurora, Colo. reinforce we should never forget about the victims. I’m leaning hard on my faith today, my thoughts and prayers are with the victims and their families in Colorado.